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Posts Tagged ‘protecting local heritage’

Oswestry Heritage Comics - week 5

Oswestry Heritage Comics – week 5. Click for larger image.

Oswestry’s medical heritage goes hand-in-hand with its military heritage. The orthopaedic hospital in Gobowen began life as a small cottage hospital in Baschurch, but quickly grew as it treated soldiers returning from the First World War. Some of the pioneering surgical and post-operative care treatments devised at the hospital by Robert Jones and Agnes Hunt were adopted by the army, and are still used today. It is only one example of the way in which two aspects of local heritage can become intertwined. Health is woven in many aspects of Oswestry’s history and heritage. The new health centre opposite Morrisons was once the main works for the Cambrian Railway. It demonstrates how as the needs of the town change, so people and places adapt – leaving behind evidence that becomes part of our history and heritage. Although the need for a railway works in Oswestry has been and gone, the building itself survives to house a new enterprise. Sometimes the physical evidence of history vanishes, however. There is no trace of the mediaeval hospital on English Walls, for instance. Place names and mentions in accounts are really all the evidence we have. Perhaps the hospital’s foundation in Oswestry owed some of its origins to another place of healing in the town: Oswald’s well, said to have sprung up from where a Raven (or an Eagle) dropped Oswald’s severed arm following his death at the battle of Maserfield. The spring was once noted as a place of healing and pilgrimage, and one can still see the occasional visitor there, looking for the water. It’s a shame that the well isn’t better known around town – because this is what happens to these places: people forget what once made the important, and they “fall off the radar”. But local interest and enthusiasm go a long way to preserving and maintaining these overlooked places – places that show how layered, complex and connected local heritage really is.

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Oswestry Heritage Comics - week 4

Oswestry Heritage Comics – week 3. Click on image for larger view.

War is – unhappily – an inevitable part of the human experience. Just as we have them raging around us today, impacting our country, our friends, our families and our daily lives, so people in the past were rocked and buffeted by the same forces of violence and conflict. We celebrate these conflicts as important part of our heritage not for their violence and their destruction, but because they have profoundly shaped who we are and the place where we live. If it wasn’t for the carnage of the battle of Maserfield, Oswestry might have a different name; if it hadn’t been for the parliamentary siege of 1644, the town might still have its walls.

But military heritage isn’t just about the history of battles and the archaeology of battlefields. Much of it is about the histories of families and individuals, and the way big, world-scale upheavals can have significant influence on local events. The “Men on the Gates” project shows how conflicts such as the first World War leaves a very particular kind of footprint in Oswestry’s history by shaping the fortunes and fates of the people who lived here.

Interestingly, while the impact of wars can be enormous, their physical traces are often pretty slight. The battlefield on which King Oswald was killed is hard to identify; apart from the much-restored remains of the walls on Oswestry Castle, very little trace of the destruction wrought by the Civil War siege remains. What does remain is fragile and easily erased – and so worth investigating and preserving all the more.

It is often memory that best preserves the true impact of wars. Memories that are written down in the form of letters and cards tell us a lot about older conflicts such as the First World War – and memories in the form of oral histories told by grandparents tell us a lot about the impact of more recent conflicts, such as WWII. Of course, memory can be captured by monuments – and the war memorial that is Cae Glas park gates is a good example of this – but it is through stories and story-telling that memories can be made to live again.

We have wars going on around us all the time – the Gulf War, the war in Afghanistan, the wars in Libya and Syria. Sometimes we encounter the physical traces of those wars – veterans with missing limbs, poppies worn on Armistice Day, photographs in the newspapers of refugees. But behind each of these physical traces is a story, a story which is part of the ongoing military heritage of Oswestry – and we should be collecting, preserving and celebrating these stories as well.

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tizer_1My Gillray-inspired political cartoons about Old Oswestry have been part of an exhibition of art inspired by the iron age hillfort put on by the Artists Hugging the Hillfort group. The exhibition has been at The Willow Gallery in Oswestry, and is now at Blossoms Gallery in Aberystwyth all through June.

As part of the exhibition opening at The Willow, I gave a short talk about the connections between art and archaeology. The response from the audience was really interesting. Most people attending the talk were completely unaware that there were any connections between archaeology and art – but most were also immediately enthusiastic about the possibilities and potentials of those connections.

For archaeologists, connections with art are opportunities to explore relationships between past material culture and the wider social and cultural meanings of ancient landscape, environment and ecology. But for local communities, connections between art and archaeology are opportunities to help express intimate, contemporary relationships between people and place.

This exhibition brought home to me how much the connections between art and archaeology have to offer those who often feel powerless in the battle to preserve and protect their local heritage. Art about archaeology gives members of a community the chance to show the lived importance of their historical, ancient and ecological heritage – to politicians, to developers, to friends and neighbours… even to archaeologists.

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