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Posts Tagged ‘Oswestry Heritage Comics’

Oswestry Heritage Comics II - week 13

Heritage Open Days – Week Thirteen of the Oswestry Heritage Comics

It’s Heritage Open Days this weekend, and the Oswestry Heritage Comics will be at the Oswestry Town Museum’s stall on the Bailey Head all day. I’ve created a special “Oswestry Heritage Comics” town trail for Heritage Open Days this year. The map is printed in this week’s Advertizer as a big double-page spread, and also as separate leaflets and booklets. The trail guides you around Oswestry to twenty of the places and sites mentioned in the comics – which are all reproduced in the special booklet. It’s a great way to get to know Oswestry’s history and heritage – perfect for people who’ve never had a chance to look around the town before. Along the way you’ll be taken down Oswestry’s main shopping streets, and past loads of other Heritage Open Day attractions – including the Oswestry Castle excavations, the Cambrian Railway and the Oswestry Town Museum.

I’ve also produced two new illustrations for the Oswestry Castle Community Research Project, and they’re up as sign-boards at this season’s excavations. One of the illustrations is a big aerial view showing the construction of the stone castle in the 1200s – fun to draw, but also a good way to show how Oswestry began. You can even see how the Bailey Head market, the Horsemarket carpark and Bailey Street all began.

I’ll be at the Museum stall all day today, handing out free copies of the walk leaflet and booklet, and I’ve got some colouring pages if anyone wants to have a go making their own comics! Plus, I’ll be drawing some new Oswestry Heritage Comics LIVE! These are going into the collected edition which will be published just before Christmas.

So join us today at the Bailey Head, and take a tour around the fantastic history and heritage of Oswestry!

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Panel from “Box 19008”, by Ulf Jansson (Epix, 1986-1992)

I’ve just spent a very enjoyable ten days working on heritage comics with a team from Malmö University and Malmö Museum, hosted by the Ystad Konstmuseum and the Klostrets i Ystad Museum. The project was organised by Gunnar Krantz and Jakob Dittmar at Malmö University, as part of an overarching series on different kinds of storytelling in comics. The programme brought gave me a chance to talk with museum curators and exhibition designers, specialists in visual communication, comics researchers and even Swedish cartoonists and comics creators about the Oswestry Heritage Comics project. The objective was to demonstrate how comics about local heritage can be used to talk about the past in a different kind of way – a way that combines facts and information about the past with discussion of things like identity, memory, and the meaning and importance of place. Malmö has a particularly active and vibrant comics community, so it was a great privilege to meet comics artists like Karolina Bång and Gunnar and work with them on a whole range of heritage and comics ideas. It’s extremely exciting to see the Oswestry Heritage Comics inspiring both comics artists and museum/heritage organisations to look more seriously at the use of comics as a tool for interpreting and presenting the past.

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Oswestry Heritage Comics II - week 52Well, the Oswestry Heritage Comics have finished – at least, for the moment. The final comic was printed in the paper a fortnight ago, thanking everyone who helped make the project a success – those who helped administrate it, those who contributed research and information to the comics, and, no least, those who read and enjoyed the series.

But, as I say, the project is not quite over. In September, for Heritage Open Days, the Advertizer will feature a pull-out map of Oswestry, with a town trail based on the comics. We will also be putting out a guidebook to the town trail, which we will be giving out at a stall on the Bailey during the Heritage Open Days weekend. In December, the collected book of the Oswestry Heritage Comics will be published – and we’ll have a special launch event at Qube (and maybe also at the Town Museum). Also in December, I’ll be putting on a session at the Theoretical Archaeology Group conference in Chester on comics and community, hopefully drawing together (yeah, pun intended…) a wide range of artists, archaeologists, comics-creators and illustrators who have all used comics and narrative graphics in a range of community-based projects to do with archaeology, anthropology, heritage and memory.

And, of course, the stories in the comics continue. Simon Jarman will be showing his Soyer stoves at the Wilfred Owen festival in November; Mark and Rachel are continuing to excavate their garden – in order to build a patio and rockery, but also in the hopes of finding more clues about the stone they found there last summer; Diana is continuing to investigate the full story behind her Grandfather’s WWI internment; and I’m meeting Barbara Molesworth later this month to find out more about the work of Rev. William Walsham How, and his documentation of Whittington’s wild heritage.

Some of these follow-on stories will be turned into new comics, which will be included in the collected book published in December. I’ll also use the book as an opportunity to include some stories that didn’t make it into the newspaper series: about the Oswestry antiquarian and suspected spy Edward Llywd, about Old Oswestry’s mythological connections to Queen Guinevere and Arthurian legend, and the way Oswestry writers and artists are continuing to find inspiration in the town’s history, archaeology and heritage.

So, although this summer I’ll be embarking on new and different archaeology and comics projects, the Oswestry Heritage Comics project will continue in the background!


The Oswestry Heritage Comics have been a year-long series of weekly newspaper comic strips about the archaeology, history and heritage of the area around Oswestry, Shropshire in the UK. The comics were published in the Oswestry and Border Counties Advertizer every Tuesday, and on Facebook. The project was supported by the Heritage Lottery Fund.

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Heritage Under Our Feet – Week 36 of the Oswestry Heritage Comics

What were you doing in the summer of 1977? In between watching Star Wars and mourning the deaths of Marc Bolan and Bing Crosby, a keen band of Oswestry volunteers were assisting Professor Barri Jones excavate a Roman marching camp at Rhyn Park. The excavation was a great success – not only did it add to our knowledge of Roman military and frontier archaeology in Britain, but it was the catalyst for the founding of Oswestry’s own archaeology and local history society.

The Oswestry and Border History and Archaeology Group (OBHAG) grew out of the enthusiasm sparked by the excavations at Rhyn Park. It brought together local people in and around Oswestry who were not only interested in archaeology and local history – but also interested in doing original archaeological and historical research. Since then, the group has worked on range of surveys, excavations and restoration projects in and around Oswestry, Trefonen and the Morda valley. They now support the Oswestry Castle Research Project and the annual excavations at Oswestry Castle. In addition to research, OBHAG sponsors regular talks, lectures and presentations by local, national and international academics and researchers on a wide range of archaeological and historical topics (even on heritage comics!).

OBHAG is forty years old this year. Social media, crowdfunding, open research and new scientific techniques have changed the practice of archaeology and local history significantly in those four decades – and OBHAG, too, is changing. The group is looking for members who can bring experience of new media and new technology. Perhaps you’ve got ideas about an Oswestry history app – or thoughts about how to use Kickstarter to fund a local history research project. It’s ideas like this – and changes like this – that will help keep interest in local archaeology and history alive, and groups like OBHAG going for another forty years.

If you’d like to be part of this change, then get in touch!


The Oswestry Heritage Comics are a year-long series of weekly newspaper comic strips about the archaeology, history and heritage of the area around Oswestry, Shropshire in the UK. The comics are published in the Oswestry and Border Counties Advertizer every Tuesday, and on Facebook. The project is supported by the Heritage Lottery Fund.

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Why Was It Called Park Hall? Week 35 of the Oswestry Heritage Comics

Local history is often hidden in plain sight. We get so used to hearing seeing particular historical places in the landscape, or hearing particular historical names, that we sometimes forget to ask: what are they? Where do they come from? Park Hall is, I think, a case in point. Most people around Oswestry know that the exhibition and show ground we see today is the remnants of an army training camp. That is certainly true – and the long, old wooden exhibition halls there are a physical reminder of that camp. Some people will also know that it used to be a farm – the old Victorian brick barns, dairy and sheds are a physical reminder of the Park Hall Home Farm. The replica WWI trenches and the petting zoo of farm animals are both ways of bringing that history of Park Hall back to life. But why was the farm or the camp called “Park Hall” in the first place?

One has to look a bit further afield to find the answer that that. The “Park” in the name refers to the parkland that had been created at the edge of lands attached to Whittington Castle. The Castle was originally a Norman fortification of some kind (although little, if any, evidence of it survives now), and played a small part in the wars between Empress Matilda and King Stephen during the 1130s. The lands were then given by King Henry II to Roger de Powys in the 1160s, and the lordship eventually passed to the FitzWarin family. The castle was rebuilt in stone in the 1220s, following various attacks by the Princes of Gwynedd. The castle was an important border fortification during the turbulent years leading up to the rebellion of Owain Glyndŵr in 1404, but itself was never captured.

By the late 1500s, however, neglect had taken its toll: the castle was partly in ruins, and the owners and tenants increasingly plagued by debt. It was probably this that prompted the selling-off of a portion of the castle parkland to Thomas Powell in 1563. A decade later, around 1571, Powell had built a large, spectacular half-timbered hall – Park Hall – named after the parkland on which it stood. Over the next three hundred years, the house passed through many owners, but remained in good condition. In 1864, the house is described as:

[a] singular and interesting timbered mansion… built about the year 1543; few such edifaces are now remaining in England, and perhaps none in so perfect a state of preservation, or exhibiting so true a specimin of the domestic architecture of bygone days.

The document notes the many fine and well-preserved architectural features of the house, including “exquisitly fine carved oak chiminy peaces; and a ceiling of unparralled workmanship” as well as “a beatiful little chapple abutting on the west wing of the house, the windows are of stained glass, the interior in wainscoted, and the whole arched over with oak panneling”. What a great shame then, that in 1918, an electrical fire – apparently starting in this chapel – burned the whole building to the ground. A few photographs of the hall werew taken during the early 1900s, and these show us that it was, indeed, a beautiful building; its destruction was a great loss. But it was to the army’s gain – the destruction of the house allowed the camp to expand during WWII, and to continue as a National Service training camp into the 1960s.

Park Hall now has a number of walks throughout the grounds, but I don’t know whether anything remains to be seen of where the house once stood (Does anyone know – is there a sign up somewhere in the grounds, or evidence of foundations, etc?). Perhaps the name “Park Hall” is the only reminder of this once elegant piece of our Tudor heritage – sadly gone, but not entirely forgotten.


The Oswestry Heritage Comics are a year-long series of weekly newspaper comic strips about the archaeology, history and heritage of the area around Oswestry, Shropshire in the UK. The comics are published in the Oswestry and Border Counties Advertizer every Tuesday, and on Facebook. The project is supported by the Heritage Lottery Fund.

 

 

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Blowing Up Oswestry Castle – Week 34 of the Oswestry Heritage Comics

Plucky George Cranage! The full story of his exploits would make a perfect Hollywood movie – in fact, the whole of the siege of Oswestry would make a great film!

The spring of 1644 was not a good time to be in Oswestry. The town was held by Royalists, under Colonel Edward Lloyd of Llanforda. But in June, General Thomas Mytton and the Earl of Denbigh arrived with a 2,000-strong Parliamentarian army and siege cannon and, on the 23rd of June, began to bombard the town. The Royalists razed most of the buildings outside the town walls, but it was then that George Cranage first sprung into action. According to some accounts, he ran up to the New Gate (where Gilhams and Booka are) and cut the chains (or ropes) of the drawbridge and enabled the Parliamentary army to charge into the town. Abandoning the walls – and then losing the battle for the town itself during fierce fighting – the Royalist forces abandoned the town to its fate and took shelter in the castle. The townspeople of Oswestry offered a ransom of £500 to the Parliamentarian forces not to ransack and loot the town, and the army then took up positions near the castle. Despite the field guns – and despite sappers working to undermine the walls and towers – the Parliamentarian army could not break the Royalist hold on the castle, and the siege dragged on. But now George Cranage sprang into action a second time!

The order was given by General Mytton for a party to fire the gates of the castle with pitch – but the exhausted soldiers couldn’t do it. Recalling, no doubt, his display of bravery at the Newgate, Mytton and the Earl of Denbigh now approached George Cranage. They got him drunk on sack – a very strong wine that later evolved into what we call ‘sherry’ – and convinced him to sneak up to the castle gate and put a bomb called a petard against it. A petard was basically an iron pot packed with gunpowder, with a fuse at the rounded end and the flat open mouth of the pot propped up and tied against a door or gate. When the gunpowder went off, the petard acted like a miniature cannon, blowing a big hole in the door or gate. A dangerous mission (even worse with a sack hangover!), as petards were notoriously apt to go off early, blowing up the unlucky bomber (hence the expression hoist with your own petard, meaning to be caught up in your own plot). But Cranage placed his petard, retired safely, and the gates were blown up. The Parliamentarians captured the castle, and the banner of the Earl of Denbigh flew over its battered walls.

At this point – exhausted, covered in gunpowder soot and hungover – George Cranage disappears from our history books. We know he survived the siege of Oswestry, but not what happened to him after that. The Cranage family was later well-known in Shropshire as innovative iron-workers and foundry men. Did George Cranage’s experience of explosives at Oswestry lead him into a new profession after the end of the Civil War – who knows? But poor Oswestry’s black spring continued. Just three days after the blowing up of the castle gates, a Royalist army from Shrewsbury – about 1,500 cavalry and 3,500 infantry – under Sir Fulke Hunke and Colonel Marrow besieged the besiegers, and fierce fighting once again broke out around the town. This lasted until July 3rd, when a second Parliamentary army under Sir Thomas Myddleton arrived and defeated the Royalists at Whittington – pursuing the remnants back towards Felton Heath near Shrewsbury. Oswestry was burned, bruised and battered by war – despite the bribe they had paid to Mytton’s army. But although the Civil War raged around Shrewsbury for the next few years, Oswestry’s part in the war was mostly ended. In 1648, Parliament issued an order that the castles at Oswestry, Boncroft and Dawley be “reduced” so as to render them unusable. By January 1649, King Charles had been arrested, tried and finally beheaded – and the First Civil War had come to its dramatic end.


The Oswestry Heritage Comics are a year-long series of weekly newspaper comic strips about the archaeology, history and heritage of the area around Oswestry, Shropshire in the UK. The comics are published in the Oswestry and Border Counties Advertizer every Tuesday, and on Facebook. The project is supported by the Heritage Lottery Fund.

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One Love Oswestry! – Week 32 of the Oswestry Heritage Comics

In the middle of a long, cold Shropshire winter, summer seems a long way away – and so does summer music. When there’s snow on the ground and it gets dark at 3:30 in the afternoon, “chilling out” takes on a very different meaning. But Oswestry has a special and historical relationship with chilling – and with summer music.

Bob Marley was a distinctive – unique – musician. Born and raised on Jamaica in the 1940s, he performed with his reggae band, The Wailers, until the late 1970s, when he moved to Britain and released a solo album. Reggae music developed on Jamaica in the 1960s, and grew out of complicated roots in mento and calypso – Caribbean folk music traditions that blend call and response, innuendo, social – and political – commentary. Marley’s reggae followed in this tradition, and was anti-colonialist, anti-racist and anti-materialist. His lyrics – his music – were an expression of his deeply-held Rastafarian beliefs, and his music was about raising racial, religious and political consciousness in his listeners. Millions around the world listened to Bob Marley as much for his music as his message. By the time he died in 1981, Bob Marley – through his work – had become an international musical, cultural, political and spiritual icon.

It’s kind of extraordinary that someone like this has a connection with Oswestry – okay, so it’s kind of tenuous. By all accounts, Bob Marley’s father really didn’t enjoy his time at Park Hall, and his time there was admittedly extremely brief. Norval Sinclair Marley was a peripatetic soul – his journey through Oswestry appears to have started in Jamaica by way of Cuba before heading on to Africa and ending up back in Jamaica; his family were apparently originally Jewish emmigrants from Syria. Perhaps those itchy feet were something Norval’s son inherited – prompting him not to explore the world, but his own sense of self.

So when summer does finally arrive, and the sun is shining and you’re sitting in Cae Glas park listening to Bob Marley’s music while you’re properly chilling out, think about Oswestry and the heritage we share with this extraordinary musician.

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