Posted in Illustration, tagged 2000AD, Ben Dickson, bioenergy, collaboration, collaborative comic, Corban Wilkin, Emma Chinnery, James McKay, renewables, Supergen, sustainability on March 22, 2017|
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A Vision of the Future? Page from my section of Supergen’s bioenergy comic.
This week sees the launch of another project I’ve been working on since Christmas – an informational comic about bioenergy, sponsored by Supergen Bioenergy, an industry research consortium.
The project is the brainchild of James McKay – engineer and 2000 AD comics artist (not often those two descriptors feature in the same biography). He’s probably best known in the comics world for his work on the 2000 AD series Flesh, but he’s also the creator of the bande-desinée La Cité des Secrets (Mosquito, 2007). James is also the man behind the Dreams of a Low Carbon Future (I & II) project – a two-part illustrated and comic book exploring the technologies and social changes necessary to create a sustainable, low-carbon way of life in the twenty-first century. I drew several large illustrations for the second volume, and through that was invited by James to contribute to the bioenergy comic.
The Bio-Energy comic is a similar project – but focused primarily on providing good, solid background information about bioenergy – What is it? How is it used? What does it cost? etc. – and combining that with some future scenarios to show how different ways of adopting and using bioenergy technology might shape the next 60-80 years.
Five comics people were involved: myself, James, comics illustrators Corban Wilkin and Emma Chinnery, and comics writer Ben Dickson; I found myself in the company of some very talented people! The project has been extremely interesting – not least for the complexity of the subject matter, and the long, workshop-based back-and-forth that was required to turn that into something more accessible and engaging; but also the process of working with four other creative minds all of whom have very different backgrounds in comics to myself, and consequently approach both the drawing and the writing of them very differently. It has been a hugely rewarding experience, and if anyone out there making a start in the world of comics has an opportunity to work on a collaborative project – don’t let it slip away! You’ll learn far more than you ever imagined. Making comics can be a very solitary enterprise, and seeing how other people do it is invaluable.
The Bio-energy comic is being launched this week in Manchester at a special Supergen event, and will be generally available soon.
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Page from “City of Secrets” – James McKay, 2007
In the run-up to our Applied Comics Network meet-up in just over a fortnights’ time, I thought I’d flag up some interesting applications of comics that demonstrate the variety of different ways comics and information can be brought together.
First up, are a few examples of what’s more-or-less my home turf: science. Some of you might have heard of the illustrator James McKay. Some of you might know his work from Flesh (Texas, Midnight Cowboys and Badlanders) in 2000AD; some of you might know him from the bande desinee album City of Secrets. Others of you might know his work as a paleontological illustrator. Still others of you might know his work on the Royal Academy of Engineering funded project Dreams of a Low Carbon Future. He is a prolific and accomplished illustrator with a highly diverse portfolio of work and interests.
James is an interesting example of someone who is combining their professional comics and illustration background with a very specific set of scientific and academic interests. I had the good fortune to run into James at Laydeez Do Comics in Leeds last month, and although we both had to run for trains, we managed to grab five minutes to talk about comics and the study of the past – and future. Interestingly, although James has produced both scientific illustration and entertainment-based comics that draw on his paleontological knowledge, he’s never combined the two: never thought of using comics as a form of scientific illustration. It’s something James said he’s going to start exploring in earnest. Dinosaurs and comics? What could be cooler!
It will be interesting to see how this path interacts with his interests in low-carbon technologies. James has already edited (and drawn part of) the collaborative book Dreams of a Low Carbon Future – an anthology of informational comics that were part of an exploration of children’s ideas about low-carbon, sustainable living. It’s an interest he’s also explored in fiction with City of Secrets.
Dinosaurs, sustainable technology, the deep past, futurology – these are subjects ripe for comics; and not just fiction, but informational comics. These are subjects rich in complex scientific detail and worthy of rich, visual discussion. These are the kind of comics I would love to read!
Don’t forget: Applied Comics Network meet-up day – May 9th, 12-4pm, London College of Communication : more via ACN on Twitter
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