In my TAG paper, I talked a little about how the authorial visibility that comics permits can allow the medium to approach subjects which have traditionally been very much beyond the remit of archaeological visualisation. The SAFE study into sexual harassment in the academic fieldwork, published in 2014, is part of a growing openness about the prevalence of sexual harassment, intimidation and discrimination within disciplines such as archaeology and anthropology. One of the notable features of studies such as this is a lack of awareness about methods of reporting such incidents.
Memoir and reportage-based comics, particularly those evolving out of the “underground” tradition, have long been used as a way of “starting a conversation” about difficult topics. The medium allows writers and artists to remain very firmly identified with their story and their authorial position, while at the same time exercising choice and control over the degree to which they are identifiable. It is a unique feature of comics to be simultaneously highly individual and wholly anonymous. At TAG, I showed a panel from a comic called “Disarticulated” which I’ve been working on for a while. It’s based on the experiences of a colleague, and written in collaboration with them. The comic allows us to make the truth of these particular experiences very clear, but the identity of the people, sites and places to be obscured.
How this comic will ultimately be published is not clear. But I hope it suggests ways in which comics might be used in archaeology: to give voice to situations and experiences which are important, and which deserve to be talked about.